Awesome Hank
Review
The very first fixation you notice on the subject of the MM6 is how extremely light it is, weighing in at a hair over 11 fat. The synthetic construction might not arise to every day abuse on the road, but it sure makes the keyboard easy to carry to weekend gigs and recording sessions in a pal’s dwelling studio. Similarly, the keyboard action doesn’t have the unyielding feel of pricier synths such as Yamaha’s own Motifs, but it’s perfectly serviceable.
The MM6’s uniquely sleek shape resembles a stealth aircraft. The keyboard is velocity-perceptive, but lacks aftertouch. Pitchbend and accent wheels are included, as well as dedicated knobs for filter and degree envelope control. The pedals are easily readable, and all the buttons have a nice rubbery surface. Taking the “category” method of sound collection one step further are dedicated buttons for various common sound categories. An eight-track onboard sequencer rounds out the package.
SOUNDS AND EDITING
The standard of the noises here contrast with the entry-level appearance of the MM6, which is not shocking, prearranged that they’re derived from in cooperation the Motif ES and “classic.” Most of the acoustic pianos were a little dark for my tastes, but the Rhodes and Wurly electric pianos sounded very authentic. There are several spitty, vibey organs, with fixed rotary presenter effects (i.e. they’re part of the model itself) and the mod wheel adding conventional vibrato. The MM6 delivers plethora of other great sounds, such as the famous Yamaha acoustic guitars, plenty of fat synth leads and basses, plus impressive strings and brass. The “synth lead/pad” category offers lots of techno-oriented prospects as well as some huge analog pads. The mass of sound approaching out of this little jual keyboard yamaha is often surprising! Drum kits run the length from retro analog beat boxes (think Roland TR-808 and 909), to house, dirty garage, and more instantly ahead rock and R&B styles. It’s hard to put my finger on, but all the drum looks had a bit of grit to them that functioned up a little extra impact and punch.
Despite the fact that the MM6 is primarily a preset-based instrument, you can edit some key sound parameters. Four front-panel knobs let you tweak what are likely the four “most wanted” settings: filter cutoff and timbre, and volume envelope attack and release. Chorus, reverb, EQ, and a selectable DSP effect are assigned and saved as well, but the effects themselves are preset. Having a split or layer, you can edit how much of each sound gets sent to each effect, but that’s about it. This limitation is offset, though, by the sheer variety of onboard effect presets. You can still store these adjustments in 64 performance memories, which are also where you store splits and layers, as well as accompaniment rhythm outline and musical tones settings, which we’ll get into in a second.
IN USE
Like scores of other aspects of the MM6, the single arpeggiator is a preset-based affair, with 213 different patterns covering everything from basic up-and-down riffs to complex, polyphonic variations that, true to the Motif line’s sophistication in this area, are better described as phrase sequences than as mere arpeggios. Additionally, various pattern names contain prefixes directing the user to appropriate sounds. This is most evident in the drum “arpeggios” that offer time beats with drum presets.
In the residence-organ-of-doom realm, the MM6 has 168 built-in rhythms, each with four variations. But that’s not all, folks! Each rhythm includes a stylistically appropriate chord and bass supplement pattern that can track right hand chords or left hand bass notes. While they don’t offer as a lot of realtime variations as full-on arranger keyboards like keyboard yamaha PSR-3000 (see page 20), the patterns are in general pretty hip, covering a whole lot of ground from rock to R&B to hip-hop, and relatively adeptly at that. Yamaha has kindly frightened in Turkish and Oriental pop styles as well as some cool Indian tabla beats. One could really get into trouble here . . . the good brand, that is.
There’s an eight-track sequencer onboard too, with a ninth trail dedicated to rhythm patterns. It’s clearly proposed as a musical sketchpad, as its features are very basic: There’s no quantizing, cut-and-paste editing, or loop mode, just straight-up linear demo. I suspect this is precisely why Yamaha tosses in a Mac- and PC-compatible copy of Steinberg Cubase LE on an included CD-ROM should you need to do more complex songwriting and arranging.
Yamaha openhandedly includes two USB ports. One accepts standard USB storage devices, allowing support of all internal data as well as direct playback of Standard MIDI files right beginning the device. I downloaded a pretty wicked SMF of the Village People’s “In The Navy,” and playback was as simple as saving to my USB flash drive, popping it into the MM6, and pressing play. The second USB port is for MIDI communication with your Mac or PC. You do need to download the correct driver from Yamaha’s web site, but the download and installation process was quick and hassle-free, and once applied, MIDI worked perfectly with Apple Logic Pro.
CONCLUSIONS
The MM6 occupies a unique niche. It succeeds in bringing the sound value of the pricier Motifs to the more casual or novice person, and is clearly aimed at those don’t want to use up a lot of time dealing with the nooks and crannies of a deeper workstation. Though it’s easy for some “pros” to take place their noses at the accompaniment features, it only takes a couple of seconds to realize that you can quickly coin a heck of a lot of music this way. This tends to prove highly valuable for singer-songwriter types who like to work fast.
Comparing likely opposition in this price range, the Korg X50 ($899) and Roland Juno-D ($749) both have about twice over the polyphony and are a little more proficiently oriented in terms of their synth feature sets, but they’re also more scary to the beginning user. More outstandingly, neither has any multitrack sequencer onboard, as compared with the MM6’s basic but practical sketchpad. For ease of use and important sounds at a light price, the Yamaha MM6 accomplishes its objectives with aplomb.
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Posted in Music · September 2nd, 2010 · Comments (0)
There is one thing a newbie needs to know about learning the guitar. It’s difficult! (Anyone tells you it’s easy is lying). Well, in the beginning that is. Anything that’s worth anything is not easy to accomplish. That’s why guitar is so extraordinary. If it was easy to learn the guitar, then everyone would be playing it, and there wouldn’t be anything special about it. So where do you start on learning how to play guitar? If you’re not a great self-motivator? Then I would recommend you go with private instruction. Why?
When you take private lessons, you always have someone to push you to practice. Yes! You will need to be pushed. The hardest part of learning guitar is overcoming the physical discomfort you hands go through when trying to hold guitar correctly. Also, you are asking “your fingers” to do things they’ve never attempted before. It hurts! Your fingers will be stretched in ways they just weren’t intended to stretch, the tips of your fingers will blister and only after playing for sometime will they become calluses. I have actually seen beginners whose fingertips bled from trying to play guitar!
So, did I scare you? If I have? Then you weren’t ever really going to learn how to play guitar anyway! Were you!? If I haven’t scared you off? GOOD! You’re life is about to change. When you actually learn how to play the guitar there is nothing else quite like it. You can actually feel the music flowing through you. If you purchase an electric guitar? Well, now you’ve just tripled your pleasure! It feel tremendous to have that axe wheal ding it’s awesome power at your finger tips and the growl of an amplifier right behind you! Plus, all of the attention you will start getting from the opposite sex, know what I mean?
Ok. Let’s talk about my favorite subject. Yes! It’s online lessons for guitar! Back in a day, all we had was private instructions and guide books. However, private guitar lessons are really only helpful I believe for the beginner. But, after you have learned the basics and have built up calluses in your fingers. You will now be able to learn in half the time. There’s only one problem. Your teacher might be holding back your progress. You will still be paying a high price, seeing your instructor once a week and just not moving as fast as you could be with online lessons for guitar. Plus, you’re able to watch in detail over and over again the lessons in HD quality! The multiple camera angles and close ups only make it easier to see and understand everything being taught to you.
Even though online instruction offers great guitar lessons for beginners, take private guitar lessons at first. You will have a much higher rate in succeeding.
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Tags: how to play guitar
Posted in Music · September 1st, 2010 · Comments (0)